The Long River of Drawing

The Long River of Drawing

素描的長河   回憶起20世紀60年代初,我正在廣州美術學院附中唸書,當首次見到郭紹綱教授自蘇聯留學帶回的人體素描時,我真是受到了極大的震動!同年夏天又赴北京,參觀了徐悲鴻紀念館,目睹大師好多素描原作。從此,我就被素描深深地吸引住了。90年代,我先後赴歐洲、美國,在各大美術館中,特別留意了達.芬奇、拉斐爾、倫勃朗、安格爾、德加、凡.高的素描作品。最近,又遠飛俄羅斯,將契斯恰柯夫、列賓、謝洛夫、弗魯別爾及列賓美術學院陳列館中的優秀畫作一一拜讀。至此,我彷彿沿著大師們的足跡,遊覽了素描的長河,這長河兩岸景色綺麗,美不勝收。...
A drawing is a painting without color

A drawing is a painting without color

Drawing is often perceived to be a form of training. Although its importance of foundation building  is recognized by many, it’s often “abandoned” once the artist moves on to other forms of expression using different media. For someone who has been...